Audio Recording and Production (Program Details)
COURSE OUTLINE
Introduction
Introduction
Course Methodology
History of Audio
Analog Recording pt. 1
Analog Recording pt. 2
Digital Recording pt. 1
Digital Recording pt. 2
Home Studio Revolution
Workstations / Equipment
DAW
Audio Interface
Mixing Console/Preamp
Microphone
Headphones
Studio Monitors
MIDI Controller
Computer
Hard Drives
Software Programs
Mac vs. PC
Room Design / Acoustics
Acoustics Basics pt. 1
Acoustics Basics pt. 2
Acoustics Basics pt. 3
Programming
Problems and Solutions
Songwriting / Producing
Songwriting pt. 1
Songwriting pt. 2
Arranging
Recording Process
Producing pt. 1
Producing pt. 2
Synthesis
Waves
Synthesizers
Oscillators
Filters
Envelopes
Modulation
Types of Synthesis
Sampling
MIDI
History of MIDI
MIDI is a Protocol pt. 1
MIDI is a Protocol pt. 2
General MIDI
Using MIDI in your DAW
MIDI Recording
MIDI Editing pt. 1
MIDI Editing pt. 2
Quantization
Controllers
Control Other Equipment
Make MIDI Sound Real pt. 1
Make MIDI Sound Real pt. 2
Make MIDI Sound Real pt. 3
Signal Flow / Routing
Signal Flow vs. Routing
Insert
Auxiliary Send and Return
Distortion
Digital Routing in Pro Tools
Digital Routing in Logic
Digital Routing in Reason
Digital Audio
Digital Audio
Nyquist Theory
Recording Audio
Latency
Audio File Management
Editing Audio pt. 1
Editing Audio pt. 2
Editing Audio pt. 3
Cue
Microphones
Microphone Types
Microphone Patterns pt. 1
Microphone Patterns pt. 2
Microphone Positions and Techniques
Microphone Examples pt. 1
Microphone Examples pt. 2
Microphone Examples pt. 3
Microphone Examples pt. 4
Microphone Examples pt. 5
Microphone Examples pt. 6
Dynamics
Compression Theory pt. 1
Compression Theory pt. 2
Compression Controls
Compression
Limiting
Gate
Sidechain
Equalization
Equalization Types pt. 1
Equalization Types pt. 2
Equalization Examples pt. 1
Equalization Examples pt. 2
Time-Based Effects
Delay
Reverb pt. 1
Reverb pt. 2
Reverb Types
Natural Ambience
Chorus / Phase and Flanger
Mixing
Setting Up The Mix
Levels and Panning
Groups / Sub-Mixes and Busses
Compression Techniques pt. 1
Compression Techniques pt. 2
Gating Techniques
Equalization Techniques pt. 1
Equalization Techniques pt. 2
Reverb in Mixing
Delay in Mixing
Automation
Mixdown
Mastering
Purpose of Mastering
Mastering Tools
Mastering Techniques pt. 1
Mastering Techniques pt. 2
Authoring a CD
Loudness Wars
CD Authoring and Duplication
Conclusion
Project and Professional Studio Integration
Wrap Up
About the Author
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